Today, feeling Bothered by the world from the safety that makes that very Bother possible, I realized my paralysis has been masquerading as virtue.

― Winnie-the-Pooh
I learned this maybe ten minutes ago, in the middle of feeling morally tangled and vaguely ashamed of my own relative safety: my anguish isn’t participation, and my paralysis isn’t solidarity.
I’ve always felt things too deeply. That sounds dramatic, even self-important, but it’s embarrassingly literal for me. One video of an abused elephant and I’m done for the day. My concentration evaporates. My chest aches like I personally failed that animal. When I mention worrying about “thirsty elephants across the world” in my bio, I mean it. I can’t unknow what I’ve seen.
So I learned to ration my empathy. Head-in-the-sand living, most days. Not because I don’t care, but because I care too much. And right now, that strategy feels impossible.
The world is too loud. Wars, elections, climate reports, collapsing institutions—delivered straight into my hand before I’ve even sat down at my desk. I scroll and feel my focus fracture. I want to look away. Then I feel guilty for wanting to look away.
There’s something deeply privileged about spiraling inside my house while other people are simply trying to survive. Some don’t even have houses. They’re fleeing, rebuilding, burying their dead. So when I catch myself thinking, I just want things to go back to normal, I feel ashamed. Selfish. Wanting a psychological baseline in unstable times starts to feel like betrayal.
And it’s not just “the world” in some abstract sense. It’s America.
It’s my country’s name attached to policies, funding decisions, alliances, bombs. It’s headlines that start with “U.S. officials say…” and end with images I can’t unsee. It’s harder to distance yourself from the suffering when your country’s name is in the same sentence.
I didn’t vote for this president. I don’t endorse these decisions. But I still live here. I still benefit from the protection this country provides me. And that’s where my guilt gets complicated. Grief is one thing. Complicity feels different.
It’s one thing to watch an elephant suffer in another part of the world and feel helpless. It’s another to feel like your own government is helping shape the conditions for human suffering. That makes looking away feel less like self-preservation and more like avoidance.
If I continue to focus on my book while my country contributes to harm, am I ignoring something I have a responsibility to confront? That question hums under everything.
And yet, I have to be honest about my actual sphere of influence. My inability to concentrate doesn’t alter foreign policy. My self-inflicted paralysis won’t reverse an election. My despair isn’t a meaningful form of dissent.
Sometimes I wonder if we confuse constant anguish with moral participation. If I suffer enough, at least I’m not indifferent, right? At least I’m not one of those people cheering.
There’s a difference between refusing indifference and destroying your own capacity to function. And the uncomfortable layer beneath it all: I have the privilege to be consumed by this. To spiral. To question. To write essays about my moral anxiety.
But there are people in war zones who don’t have the luxury of existential reflection. They’re too busy surviving.
So what does ethical adulthood look like in this climate? Is it constant vigilance? Is it strategic engagement? Is it choosing specific actions—voting, donating, organizing—and then allowing yourself to return to your own life without treating joy as betrayal?
I don’t want to be numb. I also don’t want to be incapacitated. This guilt makes it feel like those are the only two options. But maybe they aren’t.
Compassion moves you toward care. Collapse just floods your nervous system. The modern world doesn’t just inform us about suffering; it saturates us with it. Our brains evolved for tribes, not eight billion people and their worst moments on loop. And somewhere along the way, awareness became confused with virtue.
If I’m not appropriately distressed at all times, am I even a good person? If I focus on building my future while the world burns, am I complicit?
Maybe this is partly why so many younger generations feel hopeless. We see everything, while we can fix almost nothing. Total visibility, minimal agency. That mismatch breeds despair. It creates a quiet, constant accusation: You should be doing more. But “more” often just means feeling worse.
The truth is, my inability to concentrate doesn’t help the thirsty elephants. It doesn’t change policy. It doesn’t rebuild anything broken. It only shrinks my own life.
There’s privilege in being able to write a book. I won’t pretend otherwise. But privilege isn’t erased by self-sabotage. It’s clarified by what you choose to do with it. If I wait for the world to stabilize before building anything meaningful, I may wait forever. The world has always been unstable in one way or another.
So maybe the work isn’t to feel less. Maybe it’s to feel—and still build.
To let the bad news exist and still edit a chapter. To let the thirsty elephants exist and still query that next agent. To accept that tending to my own nervous system isn’t as immoral as it feels. Maybe the moral failure isn’t focus. Maybe it’s paralysis.
I don’t have a neat resolution. I still feel wrecked some days. I still want a quieter world. But I’m starting to think adulthood might mean learning how to hold global grief without turning your own life into collateral damage.
My caring too deeply was never truly a problem, but abandoning my own life would be.
inspo: a terrible nightmare // compulsive consumption of suffering // the moral anxiety of productivity in these unstable times // confronting the illusion that being devastated equals being ethical // a privilege paradox: awareness without agency // trying to care without collapsing // thinking about thirsty elephants // studies about unprecedented levels of despair among Gen Z // feeling so incredibly stupid for querying my memoir at a time like this, mostly
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Some days we hold our candle high as a beacon for others. Some days we hold it close and sit within the small, soft circle of its light. And some days we simply cup our hand around the flame and press forward, shielding it against the cold and piercing winds.
What matters most is this: that we do not let the light go out…
Beautifully put, good sir. I love a good layered metaphor, and that one has the makings of a parable!
Thank you. I love your passage. The true struggle of compassion. The difficulty of trying to remain open and caring in a world that often seems to value neither…
You have always had big feelings. Remember the Pearl S Buck passage: “The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.”
I remember parts of that, and you showing me The Good Earth in Target. Idk if they even have that section now? Anywho, you said it was one of your favorites from school, but I tried reading it too young. I need to give it another go now! Love that quote by the author 🩷
McKenzie – this is straight-up beautiful and thoughtful writing – as always.
I too have struggled with this balance. Personally, I have found that being structured in my work and creativity actually better enables me to engage and involve myself in advocating/helping with causes that are important to me. It can also help to remind myself that I don’t have to tackle every problem at once (or even one problem completely at one time) – but to know that small contributions – in a structured and organized way – make a huge difference.
I love your heart. It is part of what makes you such a good writer.
Elizabeth Gilbert gave an amazing Ted talk on creativity and artistry (and the pressure artists feel in the world) a buhjillion years ago. I found it quite inspiring. If you have not seen it, you might check it out.
Ms Darlene, I hope you’re doing well in your own healing journey (which at this point sounds like a lame way of describing this whole process, as it’s so much more than just that, but it still remains the easiest summation). I love TedTalks, so I’ll be sure to check it out. I’ve seen so many I honestly can’t recall the ones I’ve seen until I start watching it! Thanks for reading and sharing ❤️